by giladedelman Tue Sep 14, 2010 12:42 pm
Thanks for your question! I see what you mean about this question seeming easy: it's a pretty straightforward argument with a pretty easily identifiable flaw. The way LSAC makes it difficult is by making the answers a little harder to interpret.
So let's break down this argument. It looks as though we've got two premises leading to the conclusion:
Premise: Only recordings believed to be profitable are transferred to compact disc.
Premise: Few classic jazz recordings are played on the radio.
Conclusion: Most classic jazz recordings will not be transferred to compact disc.
(By the way, as a jazz musician, this question breaks my heart.)
The assumption is pretty clear: if it's not played on the radio, record companies don't believe it will sell profitably.
(E) expresses that assumption, because we could translate it into this conditional statement:
not played on radio -----> record companies don't believe profitable
(C) looks tempting, but when we convert it into a conditional statement, we get something a little different:
played on the radio -----> record companies believe profitable
Well, that looks similar, right? But wait: that's just a negated form of the proper assumption, which doesn't help us. In other words, the argument depends on an assumption about records that are not played on the radio. This answer only tells us about records that are played on the radio. But just because records that are on the radio sell profitably, that doesn't mean records that aren't on the radio won't sell profitably! So this answer is actually out of scope with respect to the core.
As for the other answer choices:
(A) is out of scope. We're not interested in the proportion of transferred recordings that are classic jazz, we're interested in the proportion of classic jazz recordings that will be transferred.
(B) is out of scope. The argument is about whether the recordings will even get transferred to compact disc, not about whether those compact discs will be played on the radio.
(D) is way out of scope. The argument doesn't have anything to do with "preserving classic jazz." The premise establishes the criteria by which record companies decide whether to transfer a recording to compact disc.
Does that clear this one up for you?